I shared some of my favorite movies once before, and if you’re so inclined you can check out my prior offerings. But just to recap: I’ve been watching crappy horror and sci-fi flicks for almost as long as I’ve been alive. It’s a venerated tradition, passed down from parent to child, and one I’d like to pass down to you since kids are assholes who can’t appreciate true cinema, or anything not fully-rendered in computer graphics that leaps off the screen like projectile vomit.
If you’ve never seen a Godzilla movie, this is not the one with which to start, because it is hands down the most tripped-out and darkest film in the series. It carries a strong ecological message thoroughly diluted by surreal cartoon segues and inexplicable scenes, like when the human protagonist goes to a night club and hallucinates that everyone’s got fish heads. I don’t mean that they’re holding fish heads, I mean that their human heads have been replaced with oversized heads of fish. Then, the Smog Monster–a gigantic, shuffling turd with eyes–steps up to a smokestack and pulls a righteous bong hit (which makes his eyes glow super-red…totally). Another unusual thing about this movie that isn’t canonical with the series is that a lot of people die after whiffing the Smog Monster’s smoky farts. That doesn’t stop the survivors from whooping it up on the slopes of Mount Fuji as an Armageddon Eve celebration. The DVD version allows for English and French subtitles, but I suggest you watch the dubbed version if only to hear the awesomeness that is the theme song.
18 Again!, 1988
There were few kids-as-adults type movies that hit theaters in 1988: Big, Vice Versa, Like Father, Like Son. But there’s one that gets overlooked…okay, so all of them get overlooked, besides Big because it was the only one that didn’t seem like a made-for-TV movie. But the most overlooked one is 18 Again!, starring Charles Slattery and that irascible, cigar-chomping vampire George Burns. George slips into a coma and is visited by his grandson, played by Charlie, and then through some sequence of events that I forget they trade spiritual places, so that George is an old man in a young man’s body and Charles is…I guess some old guy in a coma. The movie is worth seeing for Slattery’s crummy George Burns impersonation, but I’ve always been tickled by the fact that this was probably George Burns’ easiest job ever since he spends almost the entire movie lying in bed, feigning sleep. This is acting? I sleep at work all the time, no one has offered me any Academy Awards. I don’t recall a whole lot of the plot, but it’s an 80s comedy movie so you’re bound to see some tits.
The inclusion of hip-hop into mainstream American culture was not completely organic or seamless. There were a lot of attempts, both credulous and ludicrous, to bring rapping, deejaying, breakdancing and writing graffiti into places beyond American urban centers. It’s difficult to stand here, decades after the fact, and determine if these attempts actually aided hip-hop’s emergence into the spotlight, or if they were symptoms of a growing cultural awareness of what was going on in the South Bronx. It’s not difficult, however, to spot an impostor, as we do with the movie Rappin’ starring Mario Van Peebles and featuring Kadeem “Dwayne Wayne” Hardison of A Different World fame. The movie is about Mario’s character, newly-released from jail, seeking to rehabilitate his beleaguered neighborhood by winning a rap contest. He proceeds to succeed in his endeavor by delivering some of the shittiest, corniest rap lines this side of “Rappin’ Rodney.” It’s worth watching until the end credits, when the entire cast kicks verses about their roles in the movie, essentially reiterating what you’ve just watched. In fact, you can fast-forward to the end and spare yourself the pain of watching Mario Van Peebles try to act hard in a mesh tank top and sensuous Jheri curled hair.